Thursday, June 30, 2016

Debut Author? Keep these 07 Points in Mind





Yes, I am here again! 

This time I have tried to arrange a few essential things a debutante writer must, MUST, look into. This, I feel, will be useful for those “dreaming lot” out there. At the same time, you may note that it is purely my perception and hence is not foolproof. 

Then, who’s, what’s, infallible in this world!

I will not go around, and around, filling in unnecessary, meaningless word. I don’t want you to stop halfway and get back to whatever you were doing before landing at this page. Saying inwardly, “we don’t have time for such bull crap.”

The points are….

  • Sit down. Sit down in front of your PC/Laptop. Sit comfortably. And start typing whatever comes to your mind. Believe me the words will not be meaningless. Since you are thinking to turn a writer, you will be bearing a thread in your mind. And most of the writers (at least, me. Yes, I claim to be a writer. Don’t you agree?) do not start writing after creating the whole story inside his heart.

 They will only have a speck, a small seed, a sentence.

  • Are the words meaningless! You may think so, at the beginning (however, chances are very less). Not to worry, the pieces will definitely fit into some parts of the novel/ story. You will start understanding the meaning as you go ahead.

No, do not stop, even if you think you are typing meaningless crap.

  • Read a lot. Read whenever you get the time, read whenever, wherever possible (if not possible, make it POSSIBLE). THIS SHOULD HAVE BEEN THE STEP to begin the answer with, still, I deliberately put it here presuming that you are an avid reader and that only made you think about writing one (No, don’t tell me that you are a fan of Ravinder Singhji and don’t require to read books before writing one. Please! )

A good writer definitely should be a good reader first.

  • Control. Control your characters, according to the length (word count) decided for your book. Otherwise, the characters have the habit of going around places and meeting new people and creating unnecessary subplots, which will make the book thicker.

Word count from 45000 to 65000 considered the apt length for a novel.

  • Minimize Subplots. Keep the subplots less and short. Of course, subplots would make the book layered and it’s good. At times, you may find a particular subplot interesting and end up writing a lengthy and strong subplot. This would overshadow the main theme. It will be difficult to bring the readers back to main theme, once they find the subplot more interesting.

Moreover, subplots normally break the flow.

  • Descriptions, VERY, LESS. A good and pacey book (am saying about commercial fiction only) would have a balanced description/ dialogue ratio. Check the paragraphs (a) and (b):

****

(a) Mumbai (/mʊmˈbaɪ/; also known as Bombay, the official name until 1995) is the capital city of the Indian state of Maharashtra. It is the most populous city in India and the ninth most populous agglomeration in the world, with an estimated city population of 18.4 million. Along with the neighboring regions of the Mumbai Metropolitan Region, it is one of the most populous urban regions in the world and the seсond most populous metropolitan area in India, with a population of 20.7 million as of 2011. Mumbai lies on the west coast of India and has a deep natural harbour. In 2009, Mumbai was named an alpha world city. It is also the wealthiest city in India, and has the highest GDP of any city in South, West, or Central Asia. Mumbai has the highest number of billionaires and millionaires among all cities in India (courtesy: Wikipedia).

****

(b) “Hey, Mumbai is the capital city of Maharashtra,’ I said Arun. “Did you know that?”
“Of course yaar.” He winked. “It is the most populous city in India and the ninth most populous agglomeration in the world.”
“Is it!”
“Yup,” Vijay said smiling. He added raising his right eyebrow, in a typical Arun style. “It has the estimated population of 18.4 million and has the highest number of billionaires and millionaires in the world.”
“I didn’t know that,” I said rubbing my chin.

****

Which one you liked? It must be (b).
In fact, have you read (a) completely?
That is what happens when you add too much description.
  • Don’t tell, SHOW. Readers should be able to connect with the story, the characters. They should feel all the emotions, which the characters are undergoing.
For example, check the two methods of telling the same situation:

****

(a) He was angry. He said her not to disturb him. He walked back to his bedroom angrily. She tried to stop him, but failed.

****

(b) He stood staring at her. His fist tightened, eyes red. “Don’t disturb me.” He ground his teeth.
Tears oozed out from her eyes. “ I…I…” She stammered. Her lips shivered.
He turned back shaking his head and walked away.
She wanted to hold his hand, stop him. But, her frozen legs refused to budge. She could hear him slamming the bedroom door.

****

Which one conveyed the situation better?
Isn’t it (b)?

These are some steps you may consider (You may check this video by Harry Bingham on how to plot a novel). At the same time, your mind is the biggest game changer and it can do anything. There’s no hard and fast rule in the world of creativity. Your ultimate aim is to entertain the reader.

That’s it. 

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